Dungeon World: The Bandit Formerly Known as Prince


The characters set out from Willowspear, following the sluggish, polluted Dunwater River as they traveled west. They were searching for an ancient, dwarven tablet that had been found at the river's bank in Dunwater, and stolen by a gang of goblins before it could be delivered to a scholar at Willowspear.

After roughly a day of travel the plains turned to rolling hills, and they discovered a particularly large, rocky hill that featured a gaping hole near its base. Torch sconces were set on both sides of the opening, and stairs had been roughly hewn into the stone: it was a safe bet that this was the goblins' lair.

In a rare moment of reason, Azagin scaled the rocks in search for another entrance. He didn't make it far when an eye appeared on one of the rocks and blinked at him. Without hesitating he stabbed at it, and was flung to the ground as the "rocks" recoiled and bellowed in pain. Somehow, the goblins had acquired the services of a giant, rock-like humanoid as a guard.

The Rock Giant fell upon Azagin, trying to crush him with its massive limbs, but it was clumsy and slow. Azagin darted between its legs, hacking at them with his arm-turned-blade. Its hide was thick and tough, but fortunately nowhere nearly as durable as actual stone. He managed to hamstring it, giving Sketch the opportunity to climb onto its back and drive her blade through its skull.

With the Rock Giant slain, they found that it was in fact "resting" upon a second entrance. They descended inside and quickly discovered a considerable treasury. There wasn't any strange tablet among the scattered coins, gems, and jewerly, but seeing as they were already there they each loaded up several sacks worth.

Before they could leave, a pair of goblins arrived. Azagin and Sketch hid near the room's entrance, and Paisley began singing a soft, soothing song. The goblins were drawn towards her, and when they entered the room simply stood there, entranced by her music...which made it easy for Azagin and Sketch to each take one out.

They returned to the surface, loaded their treasure into their wagon, and went into the original entrance. When the tunnel split, Sketch scouted out the right passage. She found what could loosely be described as a dining hall, with a trio of goblins loudly eating and drinking. After briefly trying to come up with a plan, Azagin proceeded to scream loudly while charging into the room.

Even armed the goblins wouldn't have stood a chance: Azagin cut a few down, and Sketch killed the other while it was still scrambling for a weapon. They searched the hall, but as expected didn't find any tablet. That just left the other passage, but as they left the self-proclaimed Bandit Prince ambushed Paisley.

He held a dagger, presumably poisoned, to her throat and demanded that Azagin and Sketch drop their weapons. They obliged, and he escorted them out of his lair. Once he let Paisley go, Azagin willed his arm into a blade and rushed him. He slammed into the Bandit Prince, stabbing him savagely as they both tumbled down the stairs: he was dead before they made it to the bottom.

The Bandit Prince had the tablet on his person, which fortunately near as Azagin could tell undamaged. Azagin took both it and the Bandit Prince's head: when they returned to Willowspear he would give it to the Watch as proof of his deed.

Behind the Scenes
This is a bi-weekly campaign that is being run by Ben, one of the creators of Fright Night. It's interesting seeing someone relatively new to running games in general take Dungeon World for a spin. It's working out well enough, though the soft and hard moves are causing some difficulty.

Not for us, mind you: it was incredibly easy to get into the goblin den and slaughter everyone. Even the Bandit Prince went down without so much as a poisoned graze. The real difficulty is avoiding making soft and hard moves that consistently swing too far in either direction. I've heard this as one of the reasons people don't like Dungeon World, and I can definitely understand why.

We'll just have to wait and see how things go over the next few sessions, but at the least Ben seems to be statting the monsters correctly. This is something I've seen some people that actually charge money for adventures and settings fuck up to an astouding degree. I'm not even talking something minor like a couple hit points or a tag: I've seen stats so bad, it's like they didn't even read the section on making monsters.

The Kickstarter for A Sundered World is just over half way over (as of this post), and we're only some $350 away from funding (also, as of this post)! There are three big changes to the Kickstarter that I haven't talked about here.

First, you can increase your pledge to get additional classes at a discount.

We're doing this because people have asked us to include additional classes that we've created, like The Bard, The Psion, and The Pirate. The problem is our classes are really popular, and we don't want people to pay for content they already own.

This way you can get exactly what you want at a discount. It should be noted that any classes you buy through the Kickstarter will be sent out at the campaign's conclusion: you won't have to wait for the rest of A Sundered World.

Second, per someone's suggestion, I'm going to write a kind of promo adventure for A Sundered World in time for GenCon. It will be about Lichfield in length (so that ideally you can wrap it up in a couple hours), and will feature pregen characters, one of which will be of a race I haven't talked about before. Everyone backing at the $3 level or higher will get this when it's ready.

Finally, there're going to be comics, short stories, maybe even novels (backers of any level can see the first page). The art is currently going to be done by Melissa and myself, and the writing will be by Brannon Hollingsworth. Everyone backing, even at the $1 level, will get the first comic when it is ready.

A Sundered World: Episode 107

  • Agron (level 5 scion psion)
  • Katra "Crazy Gin" (level 4 kobold pirate)
  • Waive (level 4 scion nomad)
  • Warpath (level 4 tarchon battlemind)

After exchanging some words and veiled threats with the Devil Prince, the characters learned that he had an agenda, though they were just no closer to determining what said agenda was. To make matters worse, he seemed to know exactly what they were up to.

They left and arrived at the Sword Vault without further incident. It was, near as they could tell, in the same condition they'd left it in. Returning to the corridor were a dwarven banshee had nearly destroyed them all, they discovered a set of iron doors at the end.

The door was trapped, but since Katra's hands were immune to fire she was able to grasp the super-heated handles and open them. The interior was dark, cold, and quiet. A hall led to a chamber with channels that looked to have once carried water throughout the complex, but were now dry. Two of the walls featured huge doors of brass and gold, and another passage led away from the wall across from them.

Waive tore open a window in space behind both of the doors, allowing him to slip through and open them using a series of wheels. The gold door lead to several forges and an archive filled with stone and metal books that, near as Agron could tell, contained smithing techniques and information on metallurgy. They were quite heavy, so he only pocketed a few that he assumed would be the most valuable.

The brass door led to a device that was powered by numerous, massive fire cores. Though the cores currently inserted were depleted, they found another door that led to a room that contained plenty, including several that had been breached and were radiating an intense heat throughout the room. Katra new that breached cores were extremely volatile, so they left the chamber and continued exploring the third passage.

It was much shorter than the rest, and at the end they found a sarcophagus made entirely from gold. Warpath opened it and found a metallic skeleton wearing a robe made of a golden fabric, clutching a golden hammer to its chest. He took the hammer, and when nothing happened they retraced their steps to the entrance, so that they could investigate another set of less ornate, stone doors.

When they returned to the central chamber, the Metal Dwarf had awakened. It demanded that Warpath return his hammer, and when he did it commanded them to leave. Waive and Warpath implored him to help awaken the spirits resting within Waive's swords. Initially it refused, but after burning and breaking one of Waive's hands said that they would have to help themselves.

Metal Dwarf returned to the sarcophagus and smashed the wall behind it, revealing a darkened passage. It told them that their first task was to light the Vault's furnace, so they returned to the room with the fire cores. Waive and Warpath busied themselves gathering them up using their mind and muscles respectively, but once they'd collected the last two the exposed cores exploded, revealing a trio of salamanders.

Agron flung one of them into the other, while Warpath impaled the third. The other two quickly recovered and lunged after Warpath, but Katra struck one in the eyes with a shard of metal, and Waive plunged his blades through a twist in space to stab at the other. The one Waive struck darkened and crumbled into hand-sized chunks of smoking rock, and when the other bit into one of Warpath's legs spikes exploded from it, shredding its head and cause it to also crumble apart.

With only one left, Warpath twisted his sword-arm about until it too was reduced to rubble.

They brought the cores to the furnace, inserted them, and pulled the largest lever they could find. The chamber shuddered, and they could hear metal clanging on metal somewhere within the walls. After several minutes the Vault flared to life: dwarven faces that lined the walls were illuminated, and lava flooded the channels they'd seen earlier.

They returned to the Metal Dwarf. It used the hammer to smash the lid of the sarcophagus into four pieces: their next task would be to carry them through the hall and down into the Vault's depths. It offered them the hammer, but dropped it before Warpath could take it. The hammer struck a panel in the floor, causing the dwarven statues that lined both sides of the hall to draw massive swords and begin slicing randomly about.

Agron used his telekinesis to draw the panel back up, and the statues slowly wound to a halt. When the Metal Dwarf tried to step on it again, Agron mentally hoisted him into the air and held them there until everyone made it to the other end.

The hall connected to a spiral staircase that wound down around a sword of staggering size: the crossguard, from end to end, was several hundred feet in length. The blade extended well beyond the light from Katra's hands, and as they descended the stairs discovered it was easily longer than several ships lined up from bow to stern.

It took about half an hour for them to reach the bottom, and after walking through a thankfully much shorter hall they entered a vast chamber. A metal disk set in the center was surrounded by a stone staircase. It ascended some thirty feet, leading up to a stone vat that was suspended by thick metal chains above the plate, as well as a pair of levers. Finally, directly across the room from them was a door that featured and irregularly shaped keyhole.

They gathered their godsteel fragments into the stone vat, and Waive pulled one of the levers. The vat quickly became intensely hot, melting the godsteel, and when he felt that it was sufficiently liquefied he pulled the other lever. The vat tilted, pouring the molten godsteel through a hole in the plate. After several minutes the floor trembled, and the plate in the floor slid away, revealing a creature with the head of a dwarf and the body of a lion. It loomed over them, clad in godsteel armor.

Warpath leaped at it, but it reacted far more quickly than he anticipated and swatted him out of the air. Agron struck it with a bolt of mental force, but this had no discernible effect, and it retaliated by blasting him with a gout of fire. Katra managed to dodge out of the way and lob a grenade into it's mouth. There was a muffled explosion, but it didn't seem to adversely affect it.

As it searched for a target, Waive slipped underneath it and drove his swords into it's hindquarters. When he pulled them out he felt an intense heat, and gobbets of molten stone dribbled from the crack, which was slowly expanding.

Warpath regained his feet and again charged, but it pinned him underneath one of its front paws. It prepared to unleash another gout of flame, but then Waive struck again. Its entire backside exploded, showering Waive with blistering stone and propelling the front half into the vat, causing the rest of the creature to shatter.

As chunks of rock and godsteel clattered about them, there was a pair of much louder clangs, as a long, golden, many-toothed key fell out of its torso.

Behind the Scenes
Wasn't sure if the characters were going to talk their way out of fighting the Metal Dwarf, but they did a good job with the social roleplaying (and rolling well didn't hurt). The other way the encounter could have gone, would have been for the smith to use the hammer to awaken just some of the horde of dwarf zombies that formed the Vault's walls.

Maybe next time...

We talked quite a bit about the new battlemind move, and settled on allowing you to roll for focus, but only during combat. It makes sense from the fiction, while preventing you from healing to full almost whenever you want.

Chris also pitched an interesting modification to Self Healing, which allows the battlemind to slowly heal over time so long as they spend time meditating on their wounds. Way faster than just making camp, but not necessarily always convenient.

A Sundered World Kickstarter
The Kickstarter for A Sundered World is now live!


Back it.

I posted a preview of the current version of the kobold race and battlemind class: you don't have to be a backer to see them, but hopefully they'll entice you to become one!

I'm also working on a series of A Sundered World comics with one Brannon Hollingsworth. There's a preview of the first page up as well, but for that you gotta be a backer.

A Sundered World: Episode 106 Synopsis

  • Agron (level 3 scion psion)
  • Katra "Crazy Gin" (level 3 kobold pirate)
  • Waive (level 3 scion nomad)
  • Warpath (level 3 tarchon battlemind)

The party returned to Spiral Harbor, with a sizable chunk of godsteel in tow. When they met up with Waive at the Sky Captain's Watch, they discovered that he had in turn met Ironhide's brother, a tarchon capable of similar flesh-shaping feats named Warpath.

Warpath had already learned from Waive that Ironhide had fallen in battle, and was especially grateful to meet Katra, who had given him the weapon used to finally slay Panzer.

He was eager to meet with Ironhide's soul, but Sift explained that while they were at Tyr's Arm his soul had been drawn inside. They weren't sure if he willingly went to join with the army of souls so that he could continue to fight, if he was drawn inside by it's overwhelming conflict resonance, or a combination of both. Regardless, Warpath was satisfied that Ironhide had at least avenged himself.

Waive was surprised to learn that Warpath had also met with the devil prince: apparently he had given something to Panzer, which was the source of his newfound size, strength, and ability to transform into a dragon. Waive had observed him retrieve whatever it was from Panzer's ashes after his defeat, but had not pressed him for information.

While they were gone, and before a new host of angels had arrived to help restore and fortify the city, Waive had also learned from the archive that there was much more to the Sword Vault than what they'd initially explored. It had been constructed around the sword of the Dwarf-Maker, and served as the headquarters for what was best described as a kind of smithing cult.

He wanted to return to it in hopes that he could find a way to repair and awaken his own blades. Plus, there was likely much more lost treasure and knowledge hidden within. Since the Vault was near Metacaropolis, which contained another godsteel fragment that they would need to restore Ironhide, the rest of the party agreed.

Their voyage took them near an island from which they had previously gathered honey when they were low on food. This time, instead of giant bees, they had to deal with a swarm of dark elves that managed to latch onto the underside of the ship using strands of webbing as they sailed past. Though Waive and Warpath managed to dispatch them all, Waive was afflicted by a poisoned javelin.

They decided to make a detour to Metacarpolis, so that they could pick up some antitoxins and other healing supplies. Fortunately the infernal merchants were more than happy to accept their assortment of holy relics, in exchange for a six-pack of healing potions.

After additionally stocking up on more mundane medicines they returned to their ship, but before they could board they spotted a familiar face, disembarking from a familiar black ship. He was dressed in black and red silks. Numerous horns curled from his head. He had no eyes, but they knew he could still see, and though his mouth was fixed in a perpetual, lipless grin, he could still speak clearly.

"It's very good to see you again, my friends."

Behind the Scenes
Quick Note: The Kickstarter for A Sundered World is now live! Go. Back it. You know you want to.

We had to push Sift to hireling status while we wait for his player to make a comeback (we miss you, Matthew), and Shane ditched his vampire in favor of another tarchon battlemind. I'm cool with this, both because he seems much happier with this style of character, and hey, more playtesting!

Speaking of playtesting, thanks to Shane I'm changing the battlemind's key move, because as it was if you take Self Healing, you could always top yourself off so long as you had about ten minutes of downtime (or less, it depends on which temporary penalty you went with).

The problem is that I thought of two versions, and I'm not sure which I like more.

Currently, you can spend 1 focus when you deal damage to deal +1d4 damage, and when you take damage you can spend 1 focus to reduce it by 1d4 (it's not an armor boost, so it still works against the piercing and ignore armor tags).

Version 1
When you spend a few moments to try gather and focus your psionic energies, lose all focus and roll+CON. ✴On a 10+, gain 3 focus. ✴On a 7-9, gain 2 focus. ✴On a miss, gain 1 focus in addition to whatever else the GM says.

Version 2
When conflict erupts, roll+CON. ✴On a 10+, gain 3 focus. ✴On a 7-9, gain 2 focus. ✴On a miss, gain 1 focus.

Version 2 could be tweaked so that on a miss the GM still hits you with something (though I wouldn't want to do that since it's an involuntary thing), or so that instead of rolling you just set your focus to a flat amount (like 2 or 3).

So, which do you like more? Version 1? Version 2? Version 2 with a tweak?

As an added bonus, here's some battlemind art (based on my dwarf battlemind from another campaign):

A Sundered World Kickstarter is Live!

It's been a long time coming, but the Kickstarter for A Sundered World is finally live, so back it and/or spread the word! It's pretty straightforward: the more money we get, the more time we can spend focusing entirely on it, and the sooner it gets done.

As an added incentive it's going to be cheaper for backers by about $5-10 (depends on if you also want the nearly unrestricted art pack). You'll also get access to an alpha doc when the campaign is complete, allowing you to take it for a spin, provide feedback, suggestions, criticism, and the like.

There aren't any content stretch goals, because I don't want to deliver something that's late and/or lackluster. There's no "if we get x amount we'll add y race/class/other doodad": everything we want to make, we're just going to, simple as that.

At any rate, thanks for taking the time to read this. Melissa and I have created a lot of awesome stuff over the past few years thanks to all the people that have supported us, and we've got so much more in the works (including several other projects that are nearing completion).

A Sundered World: A Magical Art Update

For the first bit of art we have a cthon wizard, based on one of Melissa's characters from a previous playtest session:

This wizard differs from the Dungeon World version in a variety of ways. The first, and most prominent, is that there's no list of spells. Instead casting a spell is a roll-and-hold move, and you spend hold to perform various magical effects.

Another major way it differs is a fatigue mechanic: each time you roll to gather magical energy you gain a random amount of fatigue, and when your fatigue equals your current hit points you pass out for a while. Whether you pass out or voluntarily rest for a short period of time, your fatigue resets to 0.

Finally, the class is based around magical languages. This is similar to the backgrounds we use in our other classes, and takes the place of race moves. You start with one, and there are advanced moves that let you improve it, as well as gain one or both of the others.

The next piece is a WIP that depicts a race I haven't really talked about, as well as the Chronometron:

Utilizing the Chronometron is necessary to open up the chronomancer compendium class, which gives you the ability to see the future, push people out of the time stream temporarily, rewind time, move faster, slow other people down, and so on and so forth.

The drawback is that it's also one of A Sundered World's many dangers.

A Sundered World: Asmodeus & Cambions

Danger abounds in a variety of forms throughout A Sundered World. The Bahamut Span is the territory of the tarchons, a race of violent warriors that are thankfully usually embroiled in combat against each other. The Maelstrom is a chaotic realm of cyclical creation and destruction. It's easy to avoid, but contains valuable elemental cores and is a rich source of raw materials.

The Iron Circle is no less dangerous, just more subtle, and it is because of that that many would argue that it's in fact more dangerous. It is home to the charming, cunning, and cruel devils and cambions. The capital of this literally hellish realm is the city of Asmodeus, built upon and within the petrified corpse of its namesake, which is in turn chained to a great iron sphere that contains the nine circles of hell.

Here's a WIP to give you an idea as to what it looks like (which I think is much improved over my initial sketch, made over three years ago):

Though the absolute authority is the Word of Asmodeus, most of the city matters are overseen by the Nine, who each rule their own circle of Hell, and their agents.

Devils of all types roam the streets and skies, looking for any opportunity to gain power and station, though everyone is cordially welcome. If you find yourself with the unfortunate necessity to visit, you would do well to purchase a writ of passage as soon as possible, lest you fall prey to claw or contract.

Black barges deliver a constant stream of souls to the city. Some are transformed into new devils, but most are reduced to a larval state and sold as fuel, food, and/or labor.

Though souls are the most important part of the Iron Circle's economy, the foolish and desperate can find nearly anything they can dream of among the twisted spires and wails of the damned. For the right price might even be able to attain it, and if they are truly fortunate, they might even live long enough to at least somewhat appreciate it.

Here are a couple pages from the cambion race:

When you make a cambion, you get to choose a sin and gain a move. When you level up, you can opt to choose a move from your class, or further steep yourself in sin. For example, there's an advanced move for greed that gives you a potent bite attack, and another that gives you a kicker effect whenever you gain something valuable.

A Sundered World: Wandering Wyld & Elements of the Maelstrom

Today we've got another pair of art previews A Sundered World's ten monster settings.

First up, the chapter cover for the Elements of the Maelstrom:

It depicts a battlemind confronting a salamander (mythological, not "D&D-ized"). I wanted to try an angle I really haven't drawn before, as well as showcase the fact that gravity is subjective. So, from someone else's perspective, they're walking/crawling across a wall.

Here's a WIP for the The Wyld Folk:

Here we've got an ogre-class enthollow impaling a fomorian with a massive cold iron blade.

The faerie courts live on what was formerly the moon, which was spared destruction during the Sundering, and they've divided it more or less evenly between the Summer and Winter Courts. Unfortunately, the fomorians followed them, and have taken up residence deep inside their new home.

Their armies periodically invade the surface to wreak as much havoc as possible, but since some fomorians are giant-sized the Summer Court developed something to help even the scale: enthollows.

Enthollows are a kind of vehicle that characters can use, they just need a thoughtroot implant to interface with it. Since you're thinking, this means that "physical" moves like hack and slash will use INT or WIS. Like ships, you can bind spirits or dryads to them, giving them various bonuses or opening up new abilities. Finally, there are several types, but I'm sure people will come up with more later.

And with this, the black and white art is halfway done. Considering I've both been doing commissions and side-projects, I'm pretty happy with how fast I've been going.

More Stores & Updates

You might have noticed that our store isn't up on DriveThruRPG anymore. This is because we've been suspended for 30 days (which started two days ago as of this post). I won't get into the specifics (and I've already had to explain it to plenty of our closer peeps), but I will say that it's equal parts confusing and absurd, perhaps with a—depending on how data is managed and other rules—dash of technicality.

While we (and you) wait, we've created a kind of store page on the blog: click here, or go to the Products tab up top and hit Dungeon World. How this works is that you buy something, we get an email alert from PayPal, and then we email you the pdf(s). Obviously if no one is home (which is rare) or we're sleeping (not so rare), you'll have to wait.

I know it's not as convenient, but once our suspension ends we'll send everyone that buys stuff from us a complimentary copy through DriveThruRPG, so it will eventually become convenient.

We're also going to start using Lulu for print-on-demand stuff, so expect to see adventures and our magic item collections over there.

Feel free to spread the word, and if anyone asks what the hell happened let them know. Also, if you can think of other online distributors, let us know either in the comments or over on G+, and we'll look into it.

In more pleasant news, the GM Screen is coming along nicely:

Six panels done, six to go. This is just the background art for the panels with actual tables, sans tables (hence all the white space). There's currently four panels of nothing but art, and when it's done I'll package everything into another art pack.

I've been in touch with a local printer company, and we're going to visit them tomorrow to see if they can actually make what I'm looking for. If so, that'll probably end up being a Kickstarter since they'll want a minimum production and all that.
April 30, 2015
Posted by David Guyll

Dungeon Worldbuilding

Melissa and I managed to get in a bi-weekly Dungeon World game. I'm playing a dwarf battlemind with the mutation background (he in infested with cosmic horrors), while Melissa is taking The Bard for a spin (and is currently enjoying it waaay more than the "official" one).

We spent most of the session doing some broad-strokes world-building, so didn't get much done aside from picking a fight with a handful dire-field rats. I don't think that anyone got to mark XP for anything, even misses. Anywho, here's what we came up with (plus a map):

Nothing fancy, just something to let us know what's where, with plenty of blanks to fill in down the road. I forget if we named the rivers and mountains: most of pre-game worldbuilding focused on the steadings, with a bit about the mountains and region to the north.

Taking it from the top:

The northern region, specifically the area in the darkened circle, is a frozen wasteland. There's no gradual climate change: it abruptly shifts from temperate to arctic. Nothing lives there, either. It used to be a considerably warmer, sprawling dwarven kingdom, but an undead army drove them away and blanketed the land in an eternal winter.

Bands of dwarves occasionally venture north, hoping to discover lost relics and riches.

The mountains to the east are believed to extend into the heavens (or space, if space is a thing in this world). They are also said to be impassable: the rare group of explorers that attempts to cross either return defeated (usually fewer in number than when they started), or are never seen again. Survivors speak of nightmare-induced dreams and eldritch horrors.

What lies beyond, none can say.

Dunwater is a mining town that produces an abundance of gold and gems, which are shipped to Willowspear. The refinery and other waste has polluted the river.

Willowspear is a big city with bigger problems. There are hedonistic noble houses, artisans, and merchant guilds, several thieves guilds, and strange, monstrous creatures that lurk within the squalid river and sewers. Protection from any combination means that there's no shortage of work for mercenaries and bodyguards.

The city is so-named after the leader of the undead army was finally stopped by a humble spear made from willow, the only material that could harm it. This merely rendered it inert, and after it was discovered that destroying the remains would release a malevolent presence, priests sealed it deep underground. There it waits for someone to remove the spear, so that it may once again walk the land.
April 29, 2015
Posted by David Guyll

Dungeon World: Artifacts

Something we've been tinkering with in our A Sundered World campaign (in addition to, well, the campaign setting itself), are the Dungeon World equivalent of artifacts.

The concept was originally pitched by Chris, who is playing a psion that wields a soul-devouring intelligent sword, whose full name I can never remember. Geist...something or other.

What I do know is that the sword wants him to eat certain souls. This isn't always a...prudent course of action, but when he does it gains XP, and when it gains a certain amount of XP it "levels up", gaining a new ability or move.

The system is partially inspired by artifacts from 4th Edition Dungeons & Dragons, which have concordance scores that determined what sort of bonuses or penalties you received (the higher, the better).

Concordance can be raised or lowered depending on your race, alignment, maybe skills and other capabilities, but the major factor that affects it are your actions. If you do what it wants, your concordance goes up, and you gain more bonuses. Go against it, and your concordance goes down, which can result in losing bonuses or even gaining penalties.

This system is a bit simpler: each artifact has an instinct, and when you do what the item wants it gains XP. Like characters, when it gains enough XP the artifact can improve in some manner. Here's a very rough example of what we're talking about:

EGO is how willful the artifact is. EGO is subtracted from your WIS when you attempt to resist the artifact: artifacts with an EGO of -1 are easy to resist, while those with an EGO of 3 are far more difficult.

Instinct is why the artifact was created, or what it currently desires most. Again, when you do what the item wants/fulfill its instinct, the item marks XP. Not sure if this should be a once per session thing (part of the End of Session move), or done every time you do what it wants. Maybe instinct can be once per session, and doing its bidding nets it one each time.

Improvements are the new abilities and moves that you can buy with the artifact's XP. Not sure if artifacts should improve along a set track, or just let you pick whatever you want. I'm inclined towards the latter, because not all improvements will be useful for everyone (like, say, removing the clumsy tag).

Something to keep in mind is that—not that Dungeon World magic items themselves are "balanced"—artifacts are intended to be some of the most powerful magic items you can find in a campaign, though they aren't without risk: defy the artifact and it will try to gain control of you in order to get what it wants.

When you attempt to resist the artifact's desires, roll+WIS-EGO. ✴On a 10+, you retain control. ✴On a 7-9, you are able to resist, but it requires all of your concentration: you take -1 ongoing until you rest for a while, and cannot maintain any abilities that require your full concentration. ✴On a miss, the item gains control of you—the GM will tell you what happens.

When you mentally commune with the artifact, roll+WIS. ✴On a 7+, take +1 forward if you do what it desires, and you are resisting it if you refuse. ✴On a 10+, you also mark XP if you do what it desires. ✴On a miss, you take -1 forward.


When you mentally commune with the artifact, it will tell you what it wants you to do. If you do, mark XP. If you refuse, then you are resisting it.

So what do you think? Good? Bad? [x thing] needs changing, or it needs [y thing]? Assuming this design is sound/interesting enough, we could make an entire magic item book based around this.

Dungeon World: Concerning Hirelings

I more or less grew up on 2nd Edition Dungeons & Dragons, but in the rare instance that we made it to 9th-level we just kept adventuring: no one stopped to build a castle or church, and we never had any hired help. At this point I don't remember why: maybe we thought it was strange to hire another group to follow us around, maybe we just never thought about it.

In 3rd Edition all of one player took the Leadership feat, but it turned out to be a huge hassle since the player specifically min-maxed the character (a half-celestial aasimar paladin) for it. I don't remember the exact number he ended up with, but it was around a hundred.

Dungeon World hirelings are mercifully much, much simpler than in Dungeons & Dragons, but even after playing through several long-term Dungeon World campaigns, we've almost never used them.

Let's see...over a month ago we did a one-shot, in which we got derailed from the actual adventure by heading into town to recruit. We succeeded in hiring someone, kind of, but the only time we got to see him in action is when he got eaten by a monster my cultist summoned.

There was also that time when Melissa and I were playtesting The Pirate, and I statted up her crew entirely as hirelings. This worked out well enough, though most if not all of them died due to an improbable string of misses (which isn't anything new for Melissa).

Oh, and back when we were playing Expedition to Castle Ravenloft With Dungeon World, whenever the thief's player didn't show I converted her into a hireling. I figured this would make it easier than trying to figure out her moves and roll for them, but we forgot about her almost the entire time. Ditto when I switched a character in our current A Sundered World campaign to a hireling.

In any case, now that I'm actually playing in a bi-weekly game this is something I aim to correct. Not my character: he's a crazy dwarf infested with cosmic horrors, which allows him to grow chitinous blades and plates. Melissa is playing a bard, so I'll just have her do the talking.

I've heard mention that some people dislike the hireling rules, because...I guess they rely too much on GM fiat? I frankly don't get this, because when I look at the hirelings section (which is going on my upcoming GM Screennothing about it comes across as, I dunno, more arbitrary than any other part of the game. You know, like monster moves, and pretty much whenever you roll a 9-.

For example, I guess it's "okay" if you try to dodge a troll's club and fuck up, that sometimes you'll take damage, other times you'll get knocked back and stunned for a bit, and still others your shield will get destroyed (and maybe even some bones will get broken). But when a warrior is also helping you out? Nooope, that's just, too damned much fiction for the GM to arbitrate.

I guess if you think hirelings (or even, say, mounts) play too fast and loose, maybe you need to re-read the hireling section (starts on page 36), as each skill seems pretty clear cut as to when things can go wrong. While you're at it, read (or re-read) everything in the GM section. Or just play another game: heaping on more rules to "solve" an alleged "issue" seems counter-intuitive for a rules-lite, fiction-driven game like Dungeon World.

To be fair I did consider houseruling hirelings a looong ass time ago, to make them more inline with characters or monsters, but in retrospect that was because in every case I just wanted to help round out the party when I was running a solo playtest with Melissa (ie, playing the game in a manner in which it was not intended).

The thing is, a hireling isn't supposed to replace an entire character. They're not heroes, and they're not even necessarily your friend (hence no option for Bonds, and a fluctuating Loyalty stat). In general even monsters are more important than a hireling, as they have hit points, armor, damage dice, moves, and so on.

All that said, I do think for games that only have one or two players (which is, again, less then the minimum recommended), you might need something a bit meatier and/or more reliable than a hireling to better round the party out. This is where companions come in.

This is something I got from 4th Edition Dungeons & Dragons, specifically Dungeon Master's Guide 2. A companion is essentially a character represented with a monster stat block, meaning that it lacks feats, loads of powers, a paragon path, and so on. Something that the DM or another player can better juggle alongside everything else.

In Dungeon World companions would be more of a middle ground: more complex than a hireling, less complex than a character. They'd be largely the same as a monster, with a damage die, hit points, armor, tags, and all, just with some added tweaks from the wizard's Summon Monster spell (pg 155). They also wouldn't have a Loyalty stat or Cost, just doing whatever the controlling character or GM dictates.

Companions would have access to all of the Basic and most of the Special Moves, including potentially End of Session and Level Up (when the companion levels up, you could add a new tag or move, upgrade a move or tag, and/or boost some stats). It really depends on how complex you want/need it to be: in a one shot this isn't particularly important.

Ability Score(s)
Since the companion has access to all of the basic moves, they need to roll+something. The wizard's Summon Monster just gets a blanket +1 to all stats, but I'm wondering if a single stat like Competence, Expertise, Proficiency, etc, could be used instead.

Or maybe two stats (or two modifiers): one for when it makes moves related to its skill set, another for when it does something outside of it. For example, a warrior might have Expertise +2/0: when she rolls to fight, she rolls+2, but if she rolls to spout lore it's only +0.

In any case this could be at the top of the stat block, right alongside tags. Hrmm...maybe hireling skills could be represented as tags? So, a rogue could have the tags burglar and tracker, and when it rolls to do either of those two things it gets the better modifier.

Hit Points
This would be based on the companion's overall toughness, not the number encountered: warriors would have more than spellcasters. I suppose you could use the monster's hit point steps of 3, 6, and 12. Maybe mod them by asking similar questions as that of a monster.

Like hit points, this would be based on the companion's overall combat prowess, as opposed to the number encountered. As with hit points you could have it scale like a monster's damage die: d6 for weaker companions, up to d10. You could also ask questions here, giving it b[2d10], or d8 + 2, 2 piercing.

A Sundered World: Equipment

I'm taking a break from races and monsters, to bring you the WIP illustration for A Sundered World's equipment chapter.

Haven't finished all the fine detail, and the dwarf is going to have a mechanical limb, which is just one of the many new options for characters. To give you a better idea, here's a couple pages from the equipment chapter (specifically weapons and just some of the dungeon gear):

Awful Good Art Pack

Seeing as a lot of people really like my art, I figured I'd release the stuff that I've done for myself as a very cheap collection, that contains almost every single cover I've done, plus some of the interior stuff.

The art can be used both at your table (not that I could really stop you, there), and even in published works with minimal restriction: you can't use it in another stock art collection (but if you want to include our stuff, lemme know), and you have to credit me (and Melissa if you use a color piece, since she does all the coloring).

Otherwise I don't really give a fuck what you do with it, or how much you use it.

There's a digest-sized pdf that includes all of the art (you can use the preview links to see everything that's inside), and there are two zip files that contain all 20 high-resolution (300dpi), digest-sized images as jpgs, pngs, and tifs.

I'm going to start releasing these at the end of the year at the longest (if I do a bunch of stuff, I might release them sooner), so the next pack will likely contain some A Sundered World art. The only thing I won't release are paid commissions.



In addition to more A Sundered World art previews, Melissa and I are also working on a swashbuckler class and a Dungeon World GM screen. The GM Screen is currently undergoing closed feedback by a substantial group of people, and we've already come up with some ideas to make this a very expansive, modular screen.

Dungeon World: GM Screen Preview

UPDATE: There are currently twelve panels: basic moves, special moves, fronts, making monsters, treasure, some of the more oft-used gear, transports, and services (ie, what I could fit), making any kind of steading, updating steadings, etc. Since there's going to be something along the line of 16 panels of art, I'm going to release them (sans tables) as another art pack.

I've got quite a few people looking over the Dungeon World GM Screen I'm working on, to see if there's anything it's missing, if the information could be better organized/presented, swapped out, etc. In the meantime, here's a WIP preview of one of the panels (gonna add a monster or two in the bottom corners, maybe something on top).

ANOTHER UPDATE: Here's the completed above panel, including some more details and zombies.

It's (currently) intended to work with DrivethruRPG's GM Screen, which allows you to swap out panels whenever you want, and so far we've got eight of them: four for the GM, four player-facing (which includes stuff like the basic and special moves).

There's going to be some art panels, in case you want a more "traditional" screen, and Melissa and I have been talking about making panel "sets". These could be used for specific types of adventures (dungeon or urban crawl, wilderness trek, etc). There would be a list of example NPC names, floor plans, a table for dungeon dressing, wilderness encounters. Stuff like that.

Could even include additional art packs, and panels with moves, maps, and monsters for specific adventures.

UPDATE: Here are some more WIP images!

A Sundered World: Episode 105 Synopsis


Waive opted to stay behind at Spiral Harbor, in order to both help rebuild and—while there weren't any angels overseeing the archive—learn more about the swords that he and Agron wielded.

While they waited for Katra to repair her ship, they were approached by a well-sculpted cthon named Terminus. He had seen their fight against the dragon, and wished to accompany them on their travels.

Once the repairs were complete, they simultaneously celebrated their victory and mourned Ironhide's death with an excess of alcohol. After they were several mugs deep, a man approached them. He introduced himself as a Silas Tasso, captain of a merchant vessel that routinely sailed this part of the Astral.

He'd overhead them talking about finding god parts, and as thanks for saving the island from certain destruction, provided them with a linechart that lead to a god-fragment. Aside from Metacarpolis this was their only lead, and since Sift could see ley lines this meant that even without Waive they'd be able to easily locate the fragment.

After a brief, minimally damaging encounter with a star kraken, they arrived at the fragment. It was an arm, half-obscured by shimmering, golden clouds, and as they approached it saw that it was pierced by tens of thousands of swords. Ominous, but not nearly as immediately harmful as the star kraken that was perched atop it.

They descending into the clouds and searched for an entrance, hoping to avoid another kraken. When they found none they slowly emerged and circled about the arm, continuing to search in vain until Katra realized that the kraken was dead. Now concerned as to what killed it, they cautiously sailed towards the top. One they were close, they heard someone singing.

When they reached the plateau, they found a man seated next to the kraken's corpse and a vast pit. His hair and beard were both long and red, and he was clad in armor made of golden scales. A single sword pierced the kraken's eye, and a considerable portion of one of its tentacles was missing; part of it was roasting over a firepit.

They greeted him, and explained that they had come in search of godsteel. He warned them that while there might still be some near the bottom, they would have to fight for it. Katra conjured a guttering flame to light their way, and they drifted down the long shaft. They could see the faint, green glow of souls peering out from numerous cracks, but nothing challenged them for a long while.

Near the bottom a group of ten golden suits of armor, wielding golden swords, flew towards them. They ordered the party to leave, and when they refused the warriors spread out so that they could surround and attack from every direction, including above and below. Though they were outnumbered, after Agron's sword consumed two of their souls the rest retreated into the depths.

Hoping that they wouldn't return, they continued down until they came across a vast chamber. Numerous souls were gathered around a golden giant laboring over an anvil, and more emerged from a circular pit, carrying lumps of golden metal: godsteel. The giant would strike a piece with its hammer, and after the third strike the metal would transform into a suit of armor. He would then motion it towards one of the souls, and it would encase them.

They party revealed themselves, and the smith said that it would give them godsteel in exchange for Agron's sword, so that he could free the warriors trapped within. Obviously his sword refused this bargain, so he resolved to just slay the smith, devour his soul, and claim the metal. Agron sped towards the smith. He quickly shaped a piece of godsteel into a massive sword, and though Agron managed to evade the blade, his sword was unable to pierce the smith's armor.

The smith swatted Agron into the ground with the flat of his sword. He gave Agron one final chance to surrender the sword, but when he again refused raised his hammer to crush him. Before he could strike, Katra's voice rang out from behind him: she had slipped past, and was now dancing about, holding a chunk of godsteel. Her taunt gave Agron enough time to will himself away.

The smith furiously hammered his sword into a shining fire lance. He fired it at Katra, but she twisted about the blast, dodging it, and shouted for everyone to leave. In the chaos that ensued, Terminus tried to sneak past the smith and snatch some of the armor, but after barely avoiding a salvo of searing blasts he turned about to follow Katra's lead.

They ascended the shaft, but didn't make far when they heard another peal of the smith's hammer, and then saw a golden sphere hurtling towards them. There was plenty of room in the shaft, allowing them to easily avoid it. They considered trying to catch it and take it with them, but Katra realized too late that it was covered in runes, the same kind of runes inscribed her own elemental grenades.

At least they survived the explosion.

Back at the ship, as they prepared to leave another soul approached them. It was Ironhide. He returned Katra's ghostly blade and thanked her. It was because of her that he was able to enact his revenge against Panzer. He told her that he hoped they would meet again before leaving, floating down into the pit.

Behind the Scenes
Adam, the player of Waive, is out of the game for at least a few weeks, and Matthew had to abruptly duck out mid-session, so I'm not sure if we'll be playing next week, if we'll have to scrap the campaign and start fresh, or what. If we had to start all over again, what kind of a campaign would you like to see us do? Where would you want the players to go? What would you want them to face?

At the least I'm glad to have taken this setting through the motions (several times). It's been very useful design-wise to see how the classes function over extended play. The players have also asked some questions about the setting that I'd taken for granted, and even suggested additional content to help make it stand out even more than it already does.

Melissa got done proofreading it about a week ago, so over the next few days I'll be going through the doc again, updating it with corrections, clarifications, and new content. Art (the black and white stuff, anyway) is approaching the halfway mark.


Recent Comments

bloggerbloggerRecent Comments Widget

Popular Post

Blog Archive

- Copyright © Points of Light -Metrominimalist- Powered by Blogger - Designed by Johanes Djogan -